![]() I can’t see a keyboard on the regular app, but I only use AUV3 so to me this is irrelevant (although it did use to have before if I recall correctly, dev it might be a good idea to not remove it from the standalone app (in case you did, I’m not sure)). Hopefully this little detail can be fixed? Workaround: touch screen with another finger to keep screen position locked while changing knobs. This would be massive!Ī little heads up about a bug: turning a knob Downwards doesn’t seem to affect the UI Window however turning it upwards does and acts as a drag on the interface. It would be a blessing if we could also zoom in a little bit, enabling us to use the AUV3 in portrait mode on iPhone on apps such as AUM. The little I’ve used it, I’ve enjoyed the sound too! Now that the controls are far better I will use it a lot more (I’m an iPhone user and the previous UI was a little too tiny to be conveniently set). I haven’t had the chance to fully get dirty with this synth but it looks promising, is not too expensive and is AUV3, that’s mostly enough for me to spend a few bucks on an iOS synth. Some modules will cost you, but you can certainly have a bunch of fun with the free modules.The new scrollable UI is far superior to what we had before. VCV Rack also boasts MIDI Output, a feature that lets you control MIDI hardware with new Rack modules like CV-Gate, CV-MIDI and CV-CC. VCV Rack is a free virtual Eurorack environment that will allow you to hook up virtual modules and create weird, otherworldly sounds and sequences. However, VCV Rack lets you dip your toes in the synthy water. Modular presents a whole universe of synthesis, and it can seem pretty daunting. It sounds great and is fantastic to use, with loads of inspiring presets, too. It’s the effects that make it synth, with stutter and formant drama alongside traditional delay and reverb. Helm also sounds as good as it looks, especially when you tweak those inviting controls that include oscillators, envelopes and a step sequencer. Open source polyphonic synth Helm makes the list because its GUI stands head and shoulders above everyone else’s. Thor’s flexibility came not just from the oscillators and filters but from its modulation matrix, which TheWaveWarden has kept true to the original in Odin 2. The filters include emulations of Moog’s classic Ladder filter, Oberheim’s smooth low-pass filter and the aggressive Korg 35 filter found on the MS-20. The 24-voice VST3 plug-in is still in beta but features 11 oscillators, over 30 different waveforms and 12 different filters. Reason’s legendary wavetable synth, Thor, gets the freeware treatment from WaveWarden with Odin 2. Although OB-Xd emulates the Oberheim OB-X, it improves on some of its limitations. You can also learn how to make an entire track with the PG-8X in our workshop. OB-Xd by discoDSP is an enduring and popular free synth based on the Oberheim OB-X, the first of Oberheim’s OB-series polyphonic analog subtractive synthesizers. Download the presets via the developer’s Facebook page, and you’ll have a very capable – and surprisingly varied – synth on your hands. And it’s from this programmer that software gets its interface. The PG-8X is based on the legendary JX-8P, an analogue subtractive six-voice synth with digitally-controlled oscillators and a separate programmer, the PG-800. Roland’s synth legacy from the 1980s is impressive, and the freeware community has paid homage to them in abundance. ![]() It’s also just recently been updated to version 2. With help from some other free plug-ins, you can quickly create a vast palette of impressive sounds. ![]() ![]() The dual-oscillator plug-in features some modern additions to expand on the sound-shaping possibilities of the original, including a continuously blendable multimode filter. OB-Xd from discoDSP’s is a faithful reproduction of the rich-sounding synth, implementing randomised micro-tuning to achieve similar tones. The OB-X was a fat and warm-sounding 80s hardware polysynth that barged its way to prominence with the help of Jean-Michel Jarre, Herbie Hancock, Van Halen and Queen – among plenty other artists. To get to grips with FM synthesis using Dexed, head to our workshop. You can also load in original DX7 patches so that you can grab more presets from those who have spent the time mastering the hardware FM synth. Dexed is an open-source DX7 clone, and while it sports a bit of an intimidating interface, it’s much easier to navigate than the original hardware. The DX7 was incredibly popular in the 80s and 90s, though, and you can hear it presets on countless pop hits. Frequency modulation (FM) synthesis has a bit of a rep of being difficult to master, mostly due to Yamaha’s DX7 – the hardware FM synth that defines the genre. ![]()
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